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ACTE QUATRIÈME La Fête dans le patio de la belle Dulcinée Musique invisible, on danse au loin, groupes aperçus de temps à autre. Dulcinée est dans un angle du patio, entourée de galants; elle est pensive. JUAN chagrin, à Dulcinée Alors… traîtresse… je n ai plus rien à espérer? DULCINÉE préoccupée, distraite Plus rien… mais Pepita saura te consoler. Juan s éloigne? attristé RODRIGUEZ s empressant à son tour et galamment De ma grande détresse Quand aurez-vous pitié? GARCIAS de même Et resterez-vous la maîtresse… PEDRO finissant la phrase …de celui qui souffre à vos pieds? DULCINÉE nonchalammant Pauvres amis? vous m ennuyez! Rodriguez, Garcias et Pedro s éloignent dépités J ai bien assez de mes tristesses… Des danses lentes et silencieuses continuent au lointain accompagnées par la musique invisible. (dans un rêve) Lorsque le temps d amour a fui, Que reste-t il de nos bonheurs? Que reste-t il des bonheurs? Et des étés, Lorsque la nuit dans ses voiles ansevelit L éclat des fleurs… Lorsque le temps d amour a fui Qui peut croire aux bonheurs? Qui peut croire aux bonheurs? Lorsque le temps d amour a fui… Le temps d amour? Les danses ont cessé dans le lointain, la musique s est tue tout la foule envahit le patio; Dulcinée s est levée et est aussitôt entourée des amoureux qui s empressent autour d elle, mais voici que Rodriguez observera Juan se rapprochant de Dulcinée; même jeu de la part de Juan. RODRIGUEZ à part Par fortune! Par fortune! serait-ce son tour? Aura-t il plus de chance… en lui parlant d amour? DULCINÉE à part, les regardant malicieusement Pauvres amis! Pauvres amis! ah! vous m ennuyez! mes amis! Vous m ennuyez! vous n aurez pas de chance en me parlant… En me parlant d amour! riant Ah! ah! ah!…mes pauvres amis! Mes amis! vous n aurez pas de chance En me parlant d amour!…en me parlant d amour! riant Ah! ah! ah! JUAN à part Par fortune! Par fortune! serait-ce son tour? aura-t il plus de chance… En lui parlant d amour? Par fortune! Par fortune! serait-ce son tour? aura-t il plus de chance… En lui parlant d amour? Toute la foule entoure Dulcinée; grand mouvement. DULCINÉE autre ton, autre allure Ah! ad libitum, tempo rubato J ai en ce moment le désir d autre chose… Je rêve et je pleure sans cause… Je suis très à plaindre… et c est pitié vraiment De n être pas ravie ayant de tels amants. JUAN Que dit-elle? RODRIGUEZ Que dit-elle? PEDRO et GARCIAS Hein? DULCINÉE machinalement Je voudrais être aimée autrement que par vous… Et qu à l accoutumée… Ah! soyez imprévus, superbes, éclatants, Car c est de l inédit que mon rêve demande… Et d inconnus frissons mordant ma chair gourmade! PEDRO, GARCIAS, RODRIGUEZ, JUAN et LA FOULE Vivat pour Dulcinée! Indomptable! Indomptable! Vivat! vivat! Vivat! vivat! Dulcinée a saisi une guitare. gai et léger … vivat! vivat! vivat! DULCINÉE avec fièvre Alza! alza! Ne pensons qu au plaisir d aimer, A la fièvre des heures brèves Où l on sent le coeur se pâmer Sous les baisers cueillis aux lèvres! Olé! Alza! Que les yeux plongent dans les yeux, Désirs courez la pretentaine; Et jeunes gens, qu il vous souvienne Que l amour sourit aux audacieux. Anda! Ne pensons qu aux minutes brèves Où les âmes vont se pâmer Dans l ivresse de s adorer… Sur les baisers pris sur les lèvres! Elle danse LA FOULE Toute la Foule en hurlant d enthousiasme Alza!!! Après ces applaudissements, des valets paraissent à la porte de la salle où aura lieu le souper dont on aperçoit les tables somptueusement servies. Tout la foule se dirigera peu à peu vers le souper. on chante. L aube bientôt blanchira l horizon! on danse. on chante. Nous saluerons l aurore en soupant verre en main! on danse. on chante. Tandis que les vieux vins encore emporteront Ce qui nous reste de raison! on danse. on chante. L aube bientôt blanchira l horizon! on danse. Pendant qu on s éloigne peu à peu Pedro, Garcias, Rodriguez et Juan chantent entre eux, et après ils iront se diriger vers la salle du souper en suivant Dulcinée qui les y conduira gaîment. PEDRO, GARCIAS, RODRIGUEZ et JUAN L aube bientôt blanchira l horizon! Nous saluerons l aurore en soupant verre en main! DULCINÉE Soupons, soupons le verre en main! PEDRO, GARCIAS, RODRIGUEZ et JUAN L aube bientôt blanchira l horizon! DULCINÉE Soupons, soupons le verre en main! PEDRO, GARCIAS, RODRIGUEZ et JUAN Le verre en main! Quelques instants après la sortie de Tous, Sancho est introduit par deux laquais. SANCHO faisant l important et l homme pressé, au premier valet ahuri. Tout ce récit, jusqu au bout précipité et avec une seule et rapide respiration Annonce le Grand Don Quichotte de la Manche, Baron, chevalier de la Longue Figure, Arrivant en Estramadure Avec son écuyer le valeureux Don Sanche! LE 1er LAQUAIS ahuri El señor… El señor… Quichotte… Estramadure… SANCHO Idiot! LE 2d LAQUAIS de même El señor… chevalier d la Longue Figure… SANCHO condescendant Mieux! Don Quichotte entre, compassé, solennel. LE 1er LAQUAIS éclatant de rire, bas, à son camarade Sont-ils drôles, j augure que cet homme N a rien mangé depuis deux ans! LE 2d LAQUAIS Encore s il nous faisait quelques riches présents! Sancho s apercevant de leur manège court sur eux furieux et les bouscule; les valets se sauvent apeurés. SANCHO aux valets disparus Que le grand chevalier rêve, chante ou soupire, Moi seul, entendez-vous, ai le droit de sourire! DON QUICHOTTE épanoui J entre enfin dans la joie! SANCHO geignant Quand donc dans l abondance et dans l oisiveté? DON QUICHOTTE J entre dans l immortalité! SANCHO Quand pourrai-je palper le plus mince pécule? DON QUICHOTTE J entre enfin dans la joie, et l immortalité! SANCHO Quand donc dans l opulence et dans l oisiveté? quand donc? geinant encore plus Quand donc dans l abondance? et dans l oisiveté? DON QUICHOTTE le réconfortant joyeusement Tout vont t échoir, J en jure par Hercule. SANCHO heureux Tous ces biens vont m échoir! DON QUICHOTTE avec gravité Pour ton dévouement, ta vertu, Je songe à t enrichir. très sérieusement Que dirais-tu D une île? SANCHO ? une île? DON QUICHOTTE Ou d un château festonné de tourelles? Ceint d un parc, où le soir glissent des tourterelles? SANCHO ravi Enfin! stupéfait Une île? un château? la figure épatée par un large sourire Ce rêve me sourit. Mais dans combien de temps? DON QUICHOTTE réfléchissant Ce soir… demain… peut-être… SANCHO paradant O bien heureux moment où vêtu d or, de brocatelles, Le jabot fleuri de dentelles, Devant mes gens je paraîtrai, Moi leur seigneur et maître, en habit chamaré! DON QUICHOTTE avec assurance Radieuse pour nous s ouvre la Destinée! SANCHO exultant formidablement Oh!! oh!! oh!! oh!! DON QUICHOTTE avec une tendre émotion D abord, ce soir, j épouse Dulcinée, sous le regard étonné de Sancho à cette nouvelle Et l emmène au pays charmant… Où tout est rêve… enchantement… L heure y coule exquise, et se savoure toute. SANCHO intrigué Où perche cet Eden? DON QUICHOTTE avec mystère Moi seul en sais la route. SANCHO ? lui seul? DON QUICHOTTE ? moi seul! SANCHO ? en sait la route! Tous deux glorieusement. DON QUICHOTTE J entre enfin dans la joie et l immortalité! SANCHO Il connaît l abondance et la félicité! Des valets soulèvent les tentures de la salle du souper; au loin, on entend les bruits de la fête. LA FOULE au loin L aube bientôt blanchira l horizon! DON QUICHOTTE avec une indicible émotion Mais… voici… Dulcinée… ah! que je suis heureux! LA FOULE au loin Nous saluerons l aurore en soupant verre en main! DON QUICHOTTE Mon Sancho, tu vas voir, tu vas voir cet accueil chaleureux! Dulcinée aperçoit Don Quichotte. Vivement elle s avance et l examine. Mouvement joyeux et moqeur de la part de tous. DULCINÉE Tiens, c est vous chevalier? mais, Pas une blessure? pas une égratignure? DON QUICHOTTE souriant, calme; avec un large geste Intact! DULCINÉE souriante, malicieuse Intact? gaîment Vivat! Rires de la Foule. RODRIGUEZ et JUAN tous deux à Don Quichotte et à Sancho On ne s explique pas qu à deux, Vous ayez pu vous tirer de ce pas. PEDRO et GARCIAS tous deux à Don Quichotte et à Sancho On ne s explique pas qu à deux, qu à deux Vous ayez pu vous tirer de ce pas. PEDRO, GARCIAS, RODRIGUEZ et JUAN Donnez de vos exploits, la preuve? la preuve? malepeste! SANCHO désignant son maître Ne la voyez-vous pas, Chers seigneurs, à son geste? fièrement …à deux! PEDRO, GARCIAS, RODRIGUEZ, JUAN et LA FOULE On ne s explique pas qu à deux, Vous ayez pu vous tirer de ce pas. Donnez de vos exploits la preuve! La preuve!! Donnez la preuve! SANCHO Cher seigneurs! Voyez? voyez son geste! DULCINÉE rieuse et incrédule aussi, à Don Quichotte Auriez-vous donc les trente perles fines? DON QUICHOTTE navré, éffondré Elle a douté! Il exhume du fond de sa pauvre cape le collier qu il tend d un geste douloureux Dulcinée. Voici, madame, le collier. DULCINÉE stupéfaite; vivement Mon collier? LA FOULE Pedro et Garcias avec les Sopranos, Rodriguez et Juan avec les Ténors; en joie Ah!! Dulcinée avec joie reconnaît son collier et s en pare aussitôt. DULCINÉE hardiment Mon chevalier! Il faut que je t embrasse! Dulcinée saute au cou de Don Quichotte. LA FOULE tous désignant Don Quichotte Voyez de quels transports… s illumine sa face! DULCINÉE avec enthousiasme et ampleur Les plus illustres faits des héros de jadis Sont ici dépassés, même ceux d Amadis! LA FOULE tous en triomphe Vivat! vivat! vivat! vivat! DON QUICHOTTE fou d amour s avance vers Dulcinée Marchez dans mon chemin Et prêtez-moi L appui léger de votre main, A deux nous aimerons davantage le monde, Le temps sera plus court, la moisson plus féconde? Les maux dont geint l humanité Ont besoin de la femme et de sa charité! chaleureux Allons vers l Idéal, montons à grands coups d aile! Allons vers l Idéal! Allons! Soyez mon épouse fidèle! en lui offrant la main DULCINÉE riant Me marier, moi! Me marier, moi! Me marier! ah! ah! ah! ah! ah! ah! ah! ah! Me marier! ah! LA FOULE Pedro et Garcias avec les Sopranos; Rodriguez et Juan avec les Ténors; est secouée par le rire de Dulcinée qui la gagne, riant Ah! ah! ah! ah! DULCINÉE Que j abandonne ma maison? toujours à Don Quichotte Eh! mais… vous perdez la raison! J aime trop la folie et le rire Et l amour, mon charmant empire. Je vous estime fort! vous êtes un galant Fantasque, glorieux, étrange infiniiment… Mais laissez moi, oui, laissez-moi très libre, En ma ville natale. riant ah! ah! ah! ah! me marier! aux éclats ah! ah! ah! ah! ah! ah! DON QUICHOTTTE courbant la tête O réponse fatale! Dulcinée, d un geste lent, éliogne la foule/ Sancho, lui-même s efface. Peu de mots ont suffi pour me désespérer. DULCINÉE au chevalier, simplement, avec son coeur Oui, je souffre votre tristesse… Oui, je souffre votre tristesse… Et j ai vraiment chagrin à vous désemparer? Mais je dois vous désabuser… je le dois… je le dois! Et en n acceptant pas ce que vous proposez, Vrai… je vous prouve ainsi ma sincère tendresse. Vous? ami? ami? ah! j aurais de la peine? en vous trompant? DON QUICHOTTE très ému Dulcinée! Dulcinée! DULCINÉE émue, tristement souriante Car c est ma destinée De donner de l amour? à ceux dont le désir Est d avoir ou mon âme ou ma bouche à saisir. Ah! avec un tendre élan Puisque vous souffrez et que je suis impure, Indigne, lancez sur moi l injure… Vengez-vous! Mais restez avec nous? tendrement suppliante Ah! restez avec nous! Restez, restez! ah! restez! DON QUICHOTTE avec une infinie bonté O toi dont les bras nus sont plus frais que la mousse, Laisse-moi te parler De ma voix la plus douce… Avant de te quitter. avec une gravité triste Comme réponse à ma prière, Pour m avoir dit des vérités… Femme, je te bénis Reste toujours sincère. Tu m as brisé le cour et je suis à tes pieds! Tu m as brisé le cour et je suis à tes pieds! Femme, je te bénis! C est moi qui te bénis! c est moi! DULCINÉE très tendrement expressif Je t ai livré mon coeur et te vois à mes pieds! Je t ai livré mon coeur et te vois à mes pieds! Je t ai livré mon coeur! avec élan Mon coeur! Par toi je suis bénie par toi! Dulcinée se penche vers le chevalier et l embrasse au front avec ferveur. Dulcinée, au bruit de la foule qui revient, quitte le chevalier qui se relève soutenu par Sancho qui, le premier, est entré et s est élancé vers son maître. Dulcinée rejoint ses amis. Le chevalier, à bout de forces, s asseoit dans un coin; pendant ce qui suit, Sancho reste près de Don Quichotte et essaye de la consoler; le chevalier cherche à sourir à Sancho. LA FOULE Pedro et Garcias avec les Sopranos; Rodriguez et Juan avec les Ténors; bruyamment, à Dulcinée Enfin, te revoilà! Rends-nous ton clair sourire! RODRIGUEZ en montrant Don Quichotte Non, ce n est pas pour en médire… JUAN moqueur à Dulcinée Mais tu prends trop souci de cette être falot. DULCINÉE rudement à Juan déconcerté Si vous aviez son coeur, alors vous seriez beau! JUAN à des amis, en riant Ah! ah! ah! C est un fou simplement qui pose à la victime. DULCINÉE interrompant Juan et très émue Oui, peut-être est-il fou… mais… c est un fou sublime! Dulcinée s éloigne doucement en envoyant un grand baiser au pauvre chevalier. LA FOULE Pedro et Garcias avec les Sopranos; Rodriguez et Juan avec les Ténors; après le départ de Dulcinée. Tous, entre eux, éclatant de rire. Quelle histoire! Quelle histoire Tout ça pour ce vieux déplumé! Pour ce corps de héron! Pour ce masque plissé! Sancho frémissant sous les insultes a cherché à empêcher son maître d entendre; mais le coup est trop rude; Don Quichotte est prêt à fondre en larmes. Tout ça pour ce débris vermoulu du passé! Quelle histoire! Quelle histoire! pour ça! quelle histoire! SANCHO d un geste terrible et d une voix tonnante, à la Foule qui reste interdite Ça, vous commettez tous un acte épouvantable, Belle dames, seigneurs, en outrageant ici Le héros admirable Et hardi que voici. avec hauteur et mépris Riez, allez, riez du pauvre idéologue Qui passe dans son rêve et vous parle d églogue, tendrement ému D amour et de bonté comme autrefois Jésus! violement Moquez-vous sans pitié de ses bas décousus, De son pourpoint usé, de ses chausses boueuses, flétrissant la foule qui recule devant lui Vous… bas fripons, courtisans, gueuses, qui devriez tomber aux pieds De l être saint dont vous riez? à Don Quichotte, avec enthousiasme Viens, mon grand! Recommençons les belles chevauchées! Viens, mon grand, viens! Fonçons sur toute lâcheté… Et donnons au malheur le pain de la bonté! Viens, mon grand! Viens! Viens! Il embrasse son vieil ami qui lui tend les bras. Rideau. ACTE QUATRIÈME La Fête dans le patio de la belle Dulcinée Musique invisible, on danse au loin, groupes aperçus de temps à autre. Dulcinée est dans un angle du patio, entourée de galants; elle est pensive. JUAN chagrin, à Dulcinée Alors… traîtresse… je n ai plus rien à espérer? DULCINÉE préoccupée, distraite Plus rien… mais Pepita saura te consoler. Juan s éloigne? attristé RODRIGUEZ s empressant à son tour et galamment De ma grande détresse Quand aurez-vous pitié? GARCIAS de même Et resterez-vous la maîtresse… PEDRO finissant la phrase …de celui qui souffre à vos pieds? DULCINÉE nonchalammant Pauvres amis? vous m ennuyez! Rodriguez, Garcias et Pedro s éloignent dépités J ai bien assez de mes tristesses… Des danses lentes et silencieuses continuent au lointain accompagnées par la musique invisible. (dans un rêve) Lorsque le temps d amour a fui, Que reste-t il de nos bonheurs? Que reste-t il des bonheurs? Et des étés, Lorsque la nuit dans ses voiles ansevelit L éclat des fleurs… Lorsque le temps d amour a fui Qui peut croire aux bonheurs? Qui peut croire aux bonheurs? Lorsque le temps d amour a fui… Le temps d amour? Les danses ont cessé dans le lointain, la musique s est tue tout la foule envahit le patio; Dulcinée s est levée et est aussitôt entourée des amoureux qui s empressent autour d elle, mais voici que Rodriguez observera Juan se rapprochant de Dulcinée; même jeu de la part de Juan. RODRIGUEZ à part Par fortune! Par fortune! serait-ce son tour? Aura-t il plus de chance… en lui parlant d amour? DULCINÉE à part, les regardant malicieusement Pauvres amis! Pauvres amis! ah! vous m ennuyez! mes amis! Vous m ennuyez! vous n aurez pas de chance en me parlant… En me parlant d amour! riant Ah! ah! ah!…mes pauvres amis! Mes amis! vous n aurez pas de chance En me parlant d amour!…en me parlant d amour! riant Ah! ah! ah! JUAN à part Par fortune! Par fortune! serait-ce son tour? aura-t il plus de chance… En lui parlant d amour? Par fortune! Par fortune! serait-ce son tour? aura-t il plus de chance… En lui parlant d amour? Toute la foule entoure Dulcinée; grand mouvement. DULCINÉE autre ton, autre allure Ah! ad libitum, tempo rubato J ai en ce moment le désir d autre chose… Je rêve et je pleure sans cause… Je suis très à plaindre… et c est pitié vraiment De n être pas ravie ayant de tels amants. JUAN Que dit-elle? RODRIGUEZ Que dit-elle? PEDRO et GARCIAS Hein? DULCINÉE machinalement Je voudrais être aimée autrement que par vous… Et qu à l accoutumée… Ah! soyez imprévus, superbes, éclatants, Car c est de l inédit que mon rêve demande… Et d inconnus frissons mordant ma chair gourmade! PEDRO, GARCIAS, RODRIGUEZ, JUAN et LA FOULE Vivat pour Dulcinée! Indomptable! Indomptable! Vivat! vivat! Vivat! vivat! Dulcinée a saisi une guitare. gai et léger … vivat! vivat! vivat! DULCINÉE avec fièvre Alza! alza! Ne pensons qu au plaisir d aimer, A la fièvre des heures brèves Où l on sent le coeur se pâmer Sous les baisers cueillis aux lèvres! Olé! Alza! Que les yeux plongent dans les yeux, Désirs courez la pretentaine; Et jeunes gens, qu il vous souvienne Que l amour sourit aux audacieux. Anda! Ne pensons qu aux minutes brèves Où les âmes vont se pâmer Dans l ivresse de s adorer… Sur les baisers pris sur les lèvres! Elle danse LA FOULE Toute la Foule en hurlant d enthousiasme Alza!!! Après ces applaudissements, des valets paraissent à la porte de la salle où aura lieu le souper dont on aperçoit les tables somptueusement servies. Tout la foule se dirigera peu à peu vers le souper. on chante. L aube bientôt blanchira l horizon! on danse. on chante. Nous saluerons l aurore en soupant verre en main! on danse. on chante. Tandis que les vieux vins encore emporteront Ce qui nous reste de raison! on danse. on chante. L aube bientôt blanchira l horizon! on danse. Pendant qu on s éloigne peu à peu Pedro, Garcias, Rodriguez et Juan chantent entre eux, et après ils iront se diriger vers la salle du souper en suivant Dulcinée qui les y conduira gaîment. PEDRO, GARCIAS, RODRIGUEZ et JUAN L aube bientôt blanchira l horizon! Nous saluerons l aurore en soupant verre en main! DULCINÉE Soupons, soupons le verre en main! PEDRO, GARCIAS, RODRIGUEZ et JUAN L aube bientôt blanchira l horizon! DULCINÉE Soupons, soupons le verre en main! PEDRO, GARCIAS, RODRIGUEZ et JUAN Le verre en main! Quelques instants après la sortie de Tous, Sancho est introduit par deux laquais. SANCHO faisant l important et l homme pressé, au premier valet ahuri. Tout ce récit, jusqu au bout précipité et avec une seule et rapide respiration Annonce le Grand Don Quichotte de la Manche, Baron, chevalier de la Longue Figure, Arrivant en Estramadure Avec son écuyer le valeureux Don Sanche! LE 1er LAQUAIS ahuri El señor… El señor… Quichotte… Estramadure… SANCHO Idiot! LE 2d LAQUAIS de même El señor… chevalier d la Longue Figure… SANCHO condescendant Mieux! Don Quichotte entre, compassé, solennel. LE 1er LAQUAIS éclatant de rire, bas, à son camarade Sont-ils drôles, j augure que cet homme N a rien mangé depuis deux ans! LE 2d LAQUAIS Encore s il nous faisait quelques riches présents! Sancho s apercevant de leur manège court sur eux furieux et les bouscule; les valets se sauvent apeurés. SANCHO aux valets disparus Que le grand chevalier rêve, chante ou soupire, Moi seul, entendez-vous, ai le droit de sourire! DON QUICHOTTE épanoui J entre enfin dans la joie! SANCHO geignant Quand donc dans l abondance et dans l oisiveté? DON QUICHOTTE J entre dans l immortalité! SANCHO Quand pourrai-je palper le plus mince pécule? DON QUICHOTTE J entre enfin dans la joie, et l immortalité! SANCHO Quand donc dans l opulence et dans l oisiveté? quand donc? geinant encore plus Quand donc dans l abondance? et dans l oisiveté? DON QUICHOTTE le réconfortant joyeusement Tout vont t échoir, J en jure par Hercule. SANCHO heureux Tous ces biens vont m échoir! DON QUICHOTTE avec gravité Pour ton dévouement, ta vertu, Je songe à t enrichir. très sérieusement Que dirais-tu D une île? SANCHO ? une île? DON QUICHOTTE Ou d un château festonné de tourelles? Ceint d un parc, où le soir glissent des tourterelles? SANCHO ravi Enfin! stupéfait Une île? un château? la figure épatée par un large sourire Ce rêve me sourit. Mais dans combien de temps? DON QUICHOTTE réfléchissant Ce soir… demain… peut-être… SANCHO paradant O bien heureux moment où vêtu d or, de brocatelles, Le jabot fleuri de dentelles, Devant mes gens je paraîtrai, Moi leur seigneur et maître, en habit chamaré! DON QUICHOTTE avec assurance Radieuse pour nous s ouvre la Destinée! SANCHO exultant formidablement Oh!! oh!! oh!! oh!! DON QUICHOTTE avec une tendre émotion D abord, ce soir, j épouse Dulcinée, sous le regard étonné de Sancho à cette nouvelle Et l emmène au pays charmant… Où tout est rêve… enchantement… L heure y coule exquise, et se savoure toute. SANCHO intrigué Où perche cet Eden? DON QUICHOTTE avec mystère Moi seul en sais la route. SANCHO ? lui seul? DON QUICHOTTE ? moi seul! SANCHO ? en sait la route! Tous deux glorieusement. DON QUICHOTTE J entre enfin dans la joie et l immortalité! SANCHO Il connaît l abondance et la félicité! Des valets soulèvent les tentures de la salle du souper; au loin, on entend les bruits de la fête. LA FOULE au loin L aube bientôt blanchira l horizon! DON QUICHOTTE avec une indicible émotion Mais… voici… Dulcinée… ah! que je suis heureux! LA FOULE au loin Nous saluerons l aurore en soupant verre en main! DON QUICHOTTE Mon Sancho, tu vas voir, tu vas voir cet accueil chaleureux! Dulcinée aperçoit Don Quichotte. Vivement elle s avance et l examine. Mouvement joyeux et moqeur de la part de tous. DULCINÉE Tiens, c est vous chevalier? mais, Pas une blessure? pas une égratignure? DON QUICHOTTE souriant, calme; avec un large geste Intact! DULCINÉE souriante, malicieuse Intact? gaîment Vivat! Rires de la Foule. RODRIGUEZ et JUAN tous deux à Don Quichotte et à Sancho On ne s explique pas qu à deux, Vous ayez pu vous tirer de ce pas. PEDRO et GARCIAS tous deux à Don Quichotte et à Sancho On ne s explique pas qu à deux, qu à deux Vous ayez pu vous tirer de ce pas. PEDRO, GARCIAS, RODRIGUEZ et JUAN Donnez de vos exploits, la preuve? la preuve? malepeste! SANCHO désignant son maître Ne la voyez-vous pas, Chers seigneurs, à son geste? fièrement …à deux! PEDRO, GARCIAS, RODRIGUEZ, JUAN et LA FOULE On ne s explique pas qu à deux, Vous ayez pu vous tirer de ce pas. Donnez de vos exploits la preuve! La preuve!! Donnez la preuve! SANCHO Cher seigneurs! Voyez? voyez son geste! DULCINÉE rieuse et incrédule aussi, à Don Quichotte Auriez-vous donc les trente perles fines? DON QUICHOTTE navré, éffondré Elle a douté! Il exhume du fond de sa pauvre cape le collier qu il tend d un geste douloureux Dulcinée. Voici, madame, le collier. DULCINÉE stupéfaite; vivement Mon collier? LA FOULE Pedro et Garcias avec les Sopranos, Rodriguez et Juan avec les Ténors; en joie Ah!! Dulcinée avec joie reconnaît son collier et s en pare aussitôt. DULCINÉE hardiment Mon chevalier! Il faut que je t embrasse! Dulcinée saute au cou de Don Quichotte. LA FOULE tous désignant Don Quichotte Voyez de quels transports… s illumine sa face! DULCINÉE avec enthousiasme et ampleur Les plus illustres faits des héros de jadis Sont ici dépassés, même ceux d Amadis! LA FOULE tous en triomphe Vivat! vivat! vivat! vivat! DON QUICHOTTE fou d amour s avance vers Dulcinée Marchez dans mon chemin Et prêtez-moi L appui léger de votre main, A deux nous aimerons davantage le monde, Le temps sera plus court, la moisson plus féconde? Les maux dont geint l humanité Ont besoin de la femme et de sa charité! chaleureux Allons vers l Idéal, montons à grands coups d aile! Allons vers l Idéal! Allons! Soyez mon épouse fidèle! en lui offrant la main DULCINÉE riant Me marier, moi! Me marier, moi! Me marier! ah! ah! ah! ah! ah! ah! ah! ah! Me marier! ah! LA FOULE Pedro et Garcias avec les Sopranos; Rodriguez et Juan avec les Ténors; est secouée par le rire de Dulcinée qui la gagne, riant Ah! ah! ah! ah! DULCINÉE Que j abandonne ma maison? toujours à Don Quichotte Eh! mais… vous perdez la raison! J aime trop la folie et le rire Et l amour, mon charmant empire. Je vous estime fort! vous êtes un galant Fantasque, glorieux, étrange infiniiment… Mais laissez moi, oui, laissez-moi très libre, En ma ville natale. riant ah! ah! ah! ah! me marier! aux éclats ah! ah! ah! ah! ah! ah! DON QUICHOTTTE courbant la tête O réponse fatale! Dulcinée, d un geste lent, éliogne la foule/ Sancho, lui-même s efface. Peu de mots ont suffi pour me désespérer. DULCINÉE au chevalier, simplement, avec son coeur Oui, je souffre votre tristesse… Oui, je souffre votre tristesse… Et j ai vraiment chagrin à vous désemparer? Mais je dois vous désabuser… je le dois… je le dois! Et en n acceptant pas ce que vous proposez, Vrai… je vous prouve ainsi ma sincère tendresse. Vous? ami? ami? ah! j aurais de la peine? en vous trompant? DON QUICHOTTE très ému Dulcinée! Dulcinée! DULCINÉE émue, tristement souriante Car c est ma destinée De donner de l amour? à ceux dont le désir Est d avoir ou mon âme ou ma bouche à saisir. Ah! avec un tendre élan Puisque vous souffrez et que je suis impure, Indigne, lancez sur moi l injure… Vengez-vous! Mais restez avec nous? tendrement suppliante Ah! restez avec nous! Restez, restez! ah! restez! DON QUICHOTTE avec une infinie bonté O toi dont les bras nus sont plus frais que la mousse, Laisse-moi te parler De ma voix la plus douce… Avant de te quitter. avec une gravité triste Comme réponse à ma prière, Pour m avoir dit des vérités… Femme, je te bénis Reste toujours sincère. Tu m as brisé le cour et je suis à tes pieds! Tu m as brisé le cour et je suis à tes pieds! Femme, je te bénis! C est moi qui te bénis! c est moi! DULCINÉE très tendrement expressif Je t ai livré mon coeur et te vois à mes pieds! Je t ai livré mon coeur et te vois à mes pieds! Je t ai livré mon coeur! avec élan Mon coeur! Par toi je suis bénie par toi! Dulcinée se penche vers le chevalier et l embrasse au front avec ferveur. Dulcinée, au bruit de la foule qui revient, quitte le chevalier qui se relève soutenu par Sancho qui, le premier, est entré et s est élancé vers son maître. Dulcinée rejoint ses amis. Le chevalier, à bout de forces, s asseoit dans un coin; pendant ce qui suit, Sancho reste près de Don Quichotte et essaye de la consoler; le chevalier cherche à sourir à Sancho. LA FOULE Pedro et Garcias avec les Sopranos; Rodriguez et Juan avec les Ténors; bruyamment, à Dulcinée Enfin, te revoilà! Rends-nous ton clair sourire! RODRIGUEZ en montrant Don Quichotte Non, ce n est pas pour en médire… JUAN moqueur à Dulcinée Mais tu prends trop souci de cette être falot. DULCINÉE rudement à Juan déconcerté Si vous aviez son coeur, alors vous seriez beau! JUAN à des amis, en riant Ah! ah! ah! C est un fou simplement qui pose à la victime. DULCINÉE interrompant Juan et très émue Oui, peut-être est-il fou… mais… c est un fou sublime! Dulcinée s éloigne doucement en envoyant un grand baiser au pauvre chevalier. LA FOULE Pedro et Garcias avec les Sopranos; Rodriguez et Juan avec les Ténors; après le départ de Dulcinée. Tous, entre eux, éclatant de rire. Quelle histoire! Quelle histoire Tout ça pour ce vieux déplumé! Pour ce corps de héron! Pour ce masque plissé! Sancho frémissant sous les insultes a cherché à empêcher son maître d entendre; mais le coup est trop rude; Don Quichotte est prêt à fondre en larmes. Tout ça pour ce débris vermoulu du passé! Quelle histoire! Quelle histoire! pour ça! quelle histoire! SANCHO d un geste terrible et d une voix tonnante, à la Foule qui reste interdite Ça, vous commettez tous un acte épouvantable, Belle dames, seigneurs, en outrageant ici Le héros admirable Et hardi que voici. avec hauteur et mépris Riez, allez, riez du pauvre idéologue Qui passe dans son rêve et vous parle d églogue, tendrement ému D amour et de bonté comme autrefois Jésus! violement Moquez-vous sans pitié de ses bas décousus, De son pourpoint usé, de ses chausses boueuses, flétrissant la foule qui recule devant lui Vous… bas fripons, courtisans, gueuses, qui devriez tomber aux pieds De l être saint dont vous riez? à Don Quichotte, avec enthousiasme Viens, mon grand! Recommençons les belles chevauchées! Viens, mon grand, viens! Fonçons sur toute lâcheté… Et donnons au malheur le pain de la bonté! Viens, mon grand!Viens! Viens! Il embrasse son vieil ami qui lui tend les bras. Rideau. Massenet,Jules/Don Quichotte/ActⅤ
https://w.atwiki.jp/oper/pages/141.html
SECHSTE SZENE Beckmesser ist, dem Nachtwächter nachschleichend, die Gasse heraufgekommen, hat nach den Fenstern von Pogners Haus gespäht und, an Sachsens Haus gelehnt, stimmt er jetzt seine mitgebrachte Laute EVA Walther zurückhaltend Tu s nicht! - Doch horch! WALTHER Einer Laute Klang. Als Sachs den ersten Ton der Laute vernommen, hat er, von einem plötzlichen Einfall erfasst, das Licht wieder etwas eingezogen und öffnet leise den unteren Teil des Ladens EVA Ach, meine Not! WALTHER Wie, wird dir bang ? Der Schuster, sieh, zog ein das Licht. So sei s gewagt! EVA Weh! Siehst du denn nicht? Ein and rer kam und nahm dort Stand. Sachs hat unvermerkt seinen Werktisch ganz unter die Tür gestellt Jetzt erlauscht er Evas Ausruf WALTHER Ich hör s und seh s ein Musikant. Was will der hier so spät des Nachts? EVA in Verzweiflung ‘s ist Beckmesser schon! SACHS Aha, ich dacht s! Er setzt sich leise zur Arbeit zurecht WALTHER Der Merker? Er in meiner Gewalt? Drauf zu! Den Lung rer mach ich kalt! EVA Um Gott! So hör! Willst den Vater wecken? Er singt ein Lied, dann zieht er ab. Lass dort uns im Gebüsch verstecken. - Was mit den Männern ich Müh doch hab! Sie zieht Walther hinter das Gebüsch auf die Bank unter der Linde. Beckmesser, eifrig nach dem Fenster lugend, klimpert voll Ungeduld heftig auf der Laute. Als er sich endlich auch zum Singen rüstet, schlägt Sachs sehr stark mit dem Hammer auf den Leisten, nachdem er soeben das Licht wieder hell auf die Strasse hat fallen lassen. SACHS Jerum! Jerum! Hallo hallo he! O ho! Trallalei! Trallalei! O ho! BECKMESSER springt ärgerlich von dem Steinsitz auf und gewahrt Sachs bei der Arbeit Was soll das sein? Verdammtes Schrein! SACHS Als Eva aus dem Paradies von Gott dem Herrn verstossen, gar schuf ihr Schmerz der harte Kies an ihrem Fuss, dem blossen. BECKMESSER Was fällt dem groben Schuster ein? SACHS Das jammerte den Herrn, WALTHER flüsternd zu Eva Was heisst das Lied? Wie nennt er dich? SACHS ihr Füsschen hatt er gern, EVA flüsternd zu Walther Ich hört es schon ‘s geht nicht auf mich. SACHS und seinem Engel rief er zu EVA Doch eine Bosheit steckt darin. SACHS »Da, mach der armen Sünd rin Schuh ! Und da der Adam, wie ich seh , an Steinen dort sich stösst die Zeh , dass recht fortan er wandeln kann, so miss dem auch Stiefeln an!« WALTHER Welch Zögernis! Die Zeit geht hin! BECKMESSER tritt zu Sachs heran Wie, Meister? Auf? Noch so spät zur Nacht? SACHS Herr Stadtschreiber! Was, Ihr wacht? Die Schuh machen Euch grosse Sorgen? Ihr seht, ich bin dran Ihr habt sie morgen. Er arbeitet BECKMESSER zornig Hol der Teufel die Schuh ! Hier will ich Ruh ! SACHS Jerum! Jerum! Hallo hallo he! Oho! Trallalei! Trallalei! O he! O Eva, Eva! Schlimmes Weib, das hast du am Gewissen, WALTHER zu Eva Uns oder dem Merker? Wem spielt er den Streich? SACHS dass ob der Füss am Menschenleib EVA zu Walther Ich fürcht , uns dreien gilt er gleich. SACHS jetzt Engel schustern müssen. EVA O weh der Pein. Mir ahnt nichts Gutes! SACHS Blieb st du im Paradies, da gab es keinen Kies. WALTHER Mein süsser Engel, sei guten Mutes! SACHS Um deiner jungen Missetat hantier ich jetzt mit Ahl und Draht EVA Mich betrübt das Lied! WALTHER Ich hör es kaum! Du bist bei mir, welch holder Traum! Er zieht sie zärtlich an sich SACHS und ob Herrn Adams übler Schwäch versohl ich Schuh und streiche Pech. Wär ich nicht fein ein Engel rein, Teufel möchte Schuster sein! Beckmesser drohend auf Sachs zufahrend SACHS Je - Er unterbricht sich BECKMESSER Gleich höret auf! Spielt Ihr mir Streich ? Bleibt Ihr tags und nachts Euch gleich? SACHS Wenn ich hier sing , was kümmert s Euch? Die Schuhe sollen doch fertig werden? BECKMESSER So schliesst Euch ein und schweigt dazu still! SACHS Des Nachts arbeiten macht Beschwerden; wenn ich da munter bleiben will, so brauch ich Luft und frischen Gesang; drum hört, wie der dritte Vers gelang! Er wichst den Draht ersichtlich BECKMESSER Er macht mich rasend! SACHS fortarbeitend Jerum! Jerum! Hallo hallo he! BECKMESSER Das grobe Geschrei! SACHS O ho! Trallalei! Trallalei! O he! BECKMESSER Am End denkt sie gar, dass ich das sei! Er hält sich die Ohren zu und geht verzweiflungsvoll, sich mit sich beratend, die Gasse vor dem Fenster auf und ab SACHS O Eva! Hör mein Klageruf, mein Not und schwer Verdrüssen! Die Kunstwerk , die ein Schuster schuf, sie tritt die Welt mit Füssen! Gäb nicht ein Engel Trost, der gleiches Werk erlost, und rief mich oft ins Paradies, wie ich da Schuh und Stiefel liess ! Doch wenn mich der im Himmel hält, dann liegt zu Füssen mir die Welt, und bin in Ruh Hans Sachs ein Schuh- macher und Poet dazu. BECKMESSER Das Fenster geht auf! Er späht nach dem Fenster, welches jetzt leise geöffnet wird und an welchem vorsichtig Magdalene in Evas Kleidung sich zeigt. EVA mit grosser Aufgeregtheit Mich schmerzt das Lied, ich weiss nicht wie! O fort, lass uns fliehen! WALTHER auffahrend Nun denn mit dem Schwert! EVA Nicht doch! Ach, halt! BECKMESSER Herrgott, ‘s ist sie! WALTHER die Hand vom Schwert nehmend Kaum wär er s wert! EVA Ja, besser Geduld! BECKMESSER der, während Sachs fortfährt zu arbeiten und zu singen, in grosser Aufregung mit sich beraten hat Jetzt bin ich verloren, singt der noch fort! EVA O bester Mann, dass ich so Not dir machen kann! BECKMESSER tritt zu Sachs an den Laden heran und klimpert, während des Folgenden mit dem Rücken der Gasse zugewandt, seitwärts auf der Laute, um Magdalene am Fenster festzuhalten Freund Sachs! So hört doch nur ein Wort! WALTHER leise zu Eva Wer ist am Fenster? BECKMESSER Wie seid Ihr auf die Schuh versessen! EVA ‘s ist Magdalene. BECKMESSER Ich hatt sie wahrlich schon vergessen. WALTHER Das heiss ich vergelten! BECKMESSER Als Schuster seid Ihr mir wohl wert, WALTHER Fast muss ich lachen. BECKMESSER als Kunstfreund doch weit mehr verehrt. EVA Wie ich ein End und Flucht mir ersehne! WALTHER Ich wünscht , er möchte den Anfang machen. Walther und Eva, auf der Bank sanft aneinandergelehnt, erfolgen des weiteren Sachs und Beckmesser mit wachsender Teilnahme BECKMESSER Eu r Urteil, glaubt, das halt ich hoch; drum bitt ich hört das Liedlein doch, mit dem ich morgen möcht gewinnen, ob das auch recht nach Euren Sinnen. Er klimpert wiederholt seitwärts nach dem Fenster gewandt SACHS Oha! Wollt mich beim Wahne fassen? Mag mich nicht wieder schelten lassen. »Seit sich der Schuster dünkt Poet, gar übel es um Eu r Schuhwerk steht.« Ich seh , wie s schlappt und überall klappt drum lass ich Vers und Reim gar billig nun daheim, Verstand und Witz und Kenntnis dazu, mach Euch für morgen die neuen Schuh . BECKMESSER kreischend Lasst das doch sein! Das war ja nur Scherz. Vernehmt besser, wie s mir ums Herz! Vom Volk seid Ihr geehrt, auch der Pognerin seid Ihr wert. Will ich vor aller Welt nun morgen um die werben, sagt, könnt s mich nicht verderben, wenn mein Lied ihr nicht gefällt? Drum hört mich ruhig an; und sang ich, sagt mir dann, was Euch gefällt, was nicht, dass ich mich danach richt . Er klimpert wieder SACHS Ei, lasst mich doch in Ruh ! Wie käme solche Ehr mir zu? Nur Gassenhauer dicht ich zum meisten, drum sing ich zur Gassen und hau auf den Leisten. Jerum! Jerum! Hallo hallo he! BECKMESSER Verfluchter Kerl! Den Verstand verlier ich mit seinem Lied voll Pech und Schmierich! - SACHS O ho! Trallalei! Trallalei! O he! BECKMESSER Schweigt doch! Weckt Ihr die Nachbarn auf? SACHS Die sind s gewohnt ‘s hört keiner drauf. - »O Eva, Eva!« - BECKMESSER in höchste Wut ausbrechend O Ihr boshafter Geselle! Ihr spielt mir heut den letzten Streich! Schweigt Ihr jetzt nicht auf der Stelle, so denkt Ihr dran, das schwör ich Euch. Er klimpert wütend Neidisch seid Ihr, nichts weiter, dünkt Ihr Euch auch gleich gescheiter. Dass andre auch was sind, ärgert Euch schändlich! Glaubt, ich kenne Euch aus- und inwendlich! Dass man Euch noch nicht zum Merker gewählt, das ist s, was den gallichten Schuster quält. Nun gut! Solang als Beckmesser lebt und ihm noch ein Reim an den Lippen klebt, solang ich noch bei den Meistern was gelt , ob Nürnberg »blüh und wachs «, das schwör ich Herrn Hans Sachs nie wird er je zum Merker bestellt! Er klimpert in höchster Wut SACHS der ihm ruhig und aufmerksam zugehört hat War das Eu r Lied? BECKMESSER Der Teufel hol s! SACHS Zwar wenig Regel doch klang s recht stolz! BECKMESSER Wollt Ihr mich hören? SACHS In Gottes Namen singt zu ich schlag auf die Sohl die Rahmen. BECKMESSER Doch schweigt Ihr still? SACHS Ei, singet Ihr, die Arbeit, schaut, fördert s auch mir. BECKMESSER Das verfluchte Klopfen wollt Ihr doch lassen? SACHS Wie sollt ich die Sohl Euch richtig fassen? BECKMESSER Was? Ihr wollt klopfen, und ich soll singen? SACHS Euch muss das Lied, mir der Schuh gelingen. BECKMESSER Ich mag keine Schuh ! SACHS Das sagt Ihr jetzt; in der Singschul Ihr mir s dann wieder versetzt. Doch hört! Vielleicht sich s richten lässt zwei-einig geht der Mensch am best. Darf ich die Arbeit nicht entfernen, die Kunst des Merkers möcht ich erlernen. Darin kommt Euch nun keiner gleich; ich lern sie nie, wenn nicht von Euch. Drum singt Ihr nun, ich acht und merk und fördr auch wohl dabei mein Werk. BECKMESSER Merkt immer zu; und was nicht gewann, nehmt Eure Kreide und streicht mir‘s an. SACHS Nein, Herr! Da fleckten die Schuh mir nicht, mit dem Hammer auf den Leisten halt ich Gericht. BECKMESSER Verdammte Bosheit! - Gott, und ‘s wird spät am End mir die Jungfer vom Fenster geht! Er klimpert eifrig SACHS aufschlagend Fanget an! ‘s pressiert! Sonst sing ich für mich! BECKMESSER Haltet ein! Nur das nicht! - Teufel, wie ärgerlich! - Wollt Ihr Euch denn als Merker erdreisten, nun gut, so merkt mit dem Hammer auf den Leisten; nur mit dem Beding, nach den Regeln scharf, aber nichts, was nach den Regeln ich darf. SACHS Nach den Regeln, wie sie der Schuster kennt, dem die Arbeit unter den Händen brennt. BECKMESSER Auf Meisterehr ? SACHS Und Schustermut! BECKMESSER Nicht einen Fehler glatt und gut! Nachtwächterhorn sehr entfernt SACHS Dann gingt Ihr morgen unbeschuht. WALTHER leise zu Eva Welch toller Spuk! Mich dünkt s ein Traum. SACHS auf den Steinsitz vor der Ladentür deutend Setzt Euch denn hier! BECKMESSER zieht sich nach der Ecke des Hauses zurück Lasst hier mich stehen! WALTHER den Singstuhl, scheint s, verliess ich kaum! SACHS Warum so weit? BECKMESSER Euch nicht zu seh n, wie s Brauch der Schul vor dem Gemerk . EVA sanft an Walthers Brust gelehnt Die Schläf umwebt mir s wie ein Wahn ob s Heil, ob Unheil, was ich ahn ? SACHS Da hör ich Euch schlecht. BECKMESSER Der Stimme Stärk ich so gar lieblich dämpfen kann. Er stellt sich ganz um die Ecke, dem Fenster gegenüber, auf SACHS Wie fein! Nun gut denn! - Fanget an! Beckmesser stimmt die in der Wut unversehens heraufgeschraubte D-Saite wieder herunter. Sachs holt mit dem Hammer aus SECHSTE SZENE Beckmesser ist, dem Nachtwächter nachschleichend, die Gasse heraufgekommen, hat nach den Fenstern von Pogners Haus gespäht und, an Sachsens Haus gelehnt, stimmt er jetzt seine mitgebrachte Laute EVA Walther zurückhaltend Tu s nicht! - Doch horch! WALTHER Einer Laute Klang. Als Sachs den ersten Ton der Laute vernommen, hat er, von einem plötzlichen Einfall erfasst, das Licht wieder etwas eingezogen und öffnet leise den unteren Teil des Ladens EVA Ach, meine Not! WALTHER Wie, wird dir bang ? Der Schuster, sieh, zog ein das Licht. So sei s gewagt! EVA Weh! Siehst du denn nicht? Ein and rer kam und nahm dort Stand. Sachs hat unvermerkt seinen Werktisch ganz unter die Tür gestellt Jetzt erlauscht er Evas Ausruf WALTHER Ich hör s und seh s ein Musikant. Was will der hier so spät des Nachts? EVA in Verzweiflung ‘s ist Beckmesser schon! SACHS Aha, ich dacht s! Er setzt sich leise zur Arbeit zurecht WALTHER Der Merker? Er in meiner Gewalt? Drauf zu! Den Lung rer mach ich kalt! EVA Um Gott! So hör! Willst den Vater wecken? Er singt ein Lied, dann zieht er ab. Lass dort uns im Gebüsch verstecken. - Was mit den Männern ich Müh doch hab! Sie zieht Walther hinter das Gebüsch auf die Bank unter der Linde. Beckmesser, eifrig nach dem Fenster lugend, klimpert voll Ungeduld heftig auf der Laute. Als er sich endlich auch zum Singen rüstet, schlägt Sachs sehr stark mit dem Hammer auf den Leisten, nachdem er soeben das Licht wieder hell auf die Strasse hat fallen lassen. SACHS Jerum! Jerum! Hallo hallo he! O ho! Trallalei! Trallalei! O ho! BECKMESSER springt ärgerlich von dem Steinsitz auf und gewahrt Sachs bei der Arbeit Was soll das sein? Verdammtes Schrein! SACHS Als Eva aus dem Paradies von Gott dem Herrn verstossen, gar schuf ihr Schmerz der harte Kies an ihrem Fuss, dem blossen. BECKMESSER Was fällt dem groben Schuster ein? SACHS Das jammerte den Herrn, WALTHER flüsternd zu Eva Was heisst das Lied? Wie nennt er dich? SACHS ihr Füsschen hatt er gern, EVA flüsternd zu Walther Ich hört es schon ‘s geht nicht auf mich. SACHS und seinem Engel rief er zu EVA Doch eine Bosheit steckt darin. SACHS »Da, mach der armen Sünd rin Schuh ! Und da der Adam, wie ich seh , an Steinen dort sich stösst die Zeh , dass recht fortan er wandeln kann, so miss dem auch Stiefeln an!« WALTHER Welch Zögernis! Die Zeit geht hin! BECKMESSER tritt zu Sachs heran Wie, Meister? Auf? Noch so spät zur Nacht? SACHS Herr Stadtschreiber! Was, Ihr wacht? Die Schuh machen Euch grosse Sorgen? Ihr seht, ich bin dran Ihr habt sie morgen. Er arbeitet BECKMESSER zornig Hol der Teufel die Schuh ! Hier will ich Ruh ! SACHS Jerum! Jerum! Hallo hallo he! Oho! Trallalei! Trallalei! O he! O Eva, Eva! Schlimmes Weib, das hast du am Gewissen, WALTHER zu Eva Uns oder dem Merker? Wem spielt er den Streich? SACHS dass ob der Füss am Menschenleib EVA zu Walther Ich fürcht , uns dreien gilt er gleich. SACHS jetzt Engel schustern müssen. EVA O weh der Pein. Mir ahnt nichts Gutes! SACHS Blieb st du im Paradies, da gab es keinen Kies. WALTHER Mein süsser Engel, sei guten Mutes! SACHS Um deiner jungen Missetat hantier ich jetzt mit Ahl und Draht EVA Mich betrübt das Lied! WALTHER Ich hör es kaum! Du bist bei mir, welch holder Traum! Er zieht sie zärtlich an sich SACHS und ob Herrn Adams übler Schwäch versohl ich Schuh und streiche Pech. Wär ich nicht fein ein Engel rein, Teufel möchte Schuster sein! Beckmesser drohend auf Sachs zufahrend SACHS Je - Er unterbricht sich BECKMESSER Gleich höret auf! Spielt Ihr mir Streich ? Bleibt Ihr tags und nachts Euch gleich? SACHS Wenn ich hier sing , was kümmert s Euch? Die Schuhe sollen doch fertig werden? BECKMESSER So schliesst Euch ein und schweigt dazu still! SACHS Des Nachts arbeiten macht Beschwerden; wenn ich da munter bleiben will, so brauch ich Luft und frischen Gesang; drum hört, wie der dritte Vers gelang! Er wichst den Draht ersichtlich BECKMESSER Er macht mich rasend! SACHS fortarbeitend Jerum! Jerum! Hallo hallo he! BECKMESSER Das grobe Geschrei! SACHS O ho! Trallalei! Trallalei! O he! BECKMESSER Am End denkt sie gar, dass ich das sei! Er hält sich die Ohren zu und geht verzweiflungsvoll, sich mit sich beratend, die Gasse vor dem Fenster auf und ab SACHS O Eva! Hör mein Klageruf, mein Not und schwer Verdrüssen! Die Kunstwerk , die ein Schuster schuf, sie tritt die Welt mit Füssen! Gäb nicht ein Engel Trost, der gleiches Werk erlost, und rief mich oft ins Paradies, wie ich da Schuh und Stiefel liess ! Doch wenn mich der im Himmel hält, dann liegt zu Füssen mir die Welt, und bin in Ruh Hans Sachs ein Schuh- macher und Poet dazu. BECKMESSER Das Fenster geht auf! Er späht nach dem Fenster, welches jetzt leise geöffnet wird und an welchem vorsichtig Magdalene in Evas Kleidung sich zeigt. EVA mit grosser Aufgeregtheit Mich schmerzt das Lied, ich weiss nicht wie! O fort, lass uns fliehen! WALTHER auffahrend Nun denn mit dem Schwert! EVA Nicht doch! Ach, halt! BECKMESSER Herrgott, ‘s ist sie! WALTHER die Hand vom Schwert nehmend Kaum wär er s wert! EVA Ja, besser Geduld! BECKMESSER der, während Sachs fortfährt zu arbeiten und zu singen, in grosser Aufregung mit sich beraten hat Jetzt bin ich verloren, singt der noch fort! EVA O bester Mann, dass ich so Not dir machen kann! BECKMESSER tritt zu Sachs an den Laden heran und klimpert, während des Folgenden mit dem Rücken der Gasse zugewandt, seitwärts auf der Laute, um Magdalene am Fenster festzuhalten Freund Sachs! So hört doch nur ein Wort! WALTHER leise zu Eva Wer ist am Fenster? BECKMESSER Wie seid Ihr auf die Schuh versessen! EVA ‘s ist Magdalene. BECKMESSER Ich hatt sie wahrlich schon vergessen. WALTHER Das heiss ich vergelten! BECKMESSER Als Schuster seid Ihr mir wohl wert, WALTHER Fast muss ich lachen. BECKMESSER als Kunstfreund doch weit mehr verehrt. EVA Wie ich ein End und Flucht mir ersehne! WALTHER Ich wünscht , er möchte den Anfang machen. Walther und Eva, auf der Bank sanft aneinandergelehnt, erfolgen des weiteren Sachs und Beckmesser mit wachsender Teilnahme BECKMESSER Eu r Urteil, glaubt, das halt ich hoch; drum bitt ich hört das Liedlein doch, mit dem ich morgen möcht gewinnen, ob das auch recht nach Euren Sinnen. Er klimpert wiederholt seitwärts nach dem Fenster gewandt SACHS Oha! Wollt mich beim Wahne fassen? Mag mich nicht wieder schelten lassen. »Seit sich der Schuster dünkt Poet, gar übel es um Eu r Schuhwerk steht.« Ich seh , wie s schlappt und überall klappt drum lass ich Vers und Reim gar billig nun daheim, Verstand und Witz und Kenntnis dazu, mach Euch für morgen die neuen Schuh . BECKMESSER kreischend Lasst das doch sein! Das war ja nur Scherz. Vernehmt besser, wie s mir ums Herz! Vom Volk seid Ihr geehrt, auch der Pognerin seid Ihr wert. Will ich vor aller Welt nun morgen um die werben, sagt, könnt s mich nicht verderben, wenn mein Lied ihr nicht gefällt? Drum hört mich ruhig an; und sang ich, sagt mir dann, was Euch gefällt, was nicht, dass ich mich danach richt . Er klimpert wieder SACHS Ei, lasst mich doch in Ruh ! Wie käme solche Ehr mir zu? Nur Gassenhauer dicht ich zum meisten, drum sing ich zur Gassen und hau auf den Leisten. Jerum! Jerum! Hallo hallo he! BECKMESSER Verfluchter Kerl! Den Verstand verlier ich mit seinem Lied voll Pech und Schmierich! - SACHS O ho! Trallalei! Trallalei! O he! BECKMESSER Schweigt doch! Weckt Ihr die Nachbarn auf? SACHS Die sind s gewohnt ‘s hört keiner drauf. - »O Eva, Eva!« - BECKMESSER in höchste Wut ausbrechend O Ihr boshafter Geselle! Ihr spielt mir heut den letzten Streich! Schweigt Ihr jetzt nicht auf der Stelle, so denkt Ihr dran, das schwör ich Euch. Er klimpert wütend Neidisch seid Ihr, nichts weiter, dünkt Ihr Euch auch gleich gescheiter. Dass andre auch was sind, ärgert Euch schändlich! Glaubt, ich kenne Euch aus- und inwendlich! Dass man Euch noch nicht zum Merker gewählt, das ist s, was den gallichten Schuster quält. Nun gut! Solang als Beckmesser lebt und ihm noch ein Reim an den Lippen klebt, solang ich noch bei den Meistern was gelt , ob Nürnberg »blüh und wachs «, das schwör ich Herrn Hans Sachs nie wird er je zum Merker bestellt! Er klimpert in höchster Wut SACHS der ihm ruhig und aufmerksam zugehört hat War das Eu r Lied? BECKMESSER Der Teufel hol s! SACHS Zwar wenig Regel doch klang s recht stolz! BECKMESSER Wollt Ihr mich hören? SACHS In Gottes Namen singt zu ich schlag auf die Sohl die Rahmen. BECKMESSER Doch schweigt Ihr still? SACHS Ei, singet Ihr, die Arbeit, schaut, fördert s auch mir. BECKMESSER Das verfluchte Klopfen wollt Ihr doch lassen? SACHS Wie sollt ich die Sohl Euch richtig fassen? BECKMESSER Was? Ihr wollt klopfen, und ich soll singen? SACHS Euch muss das Lied, mir der Schuh gelingen. BECKMESSER Ich mag keine Schuh ! SACHS Das sagt Ihr jetzt; in der Singschul Ihr mir s dann wieder versetzt. Doch hört! Vielleicht sich s richten lässt zwei-einig geht der Mensch am best. Darf ich die Arbeit nicht entfernen, die Kunst des Merkers möcht ich erlernen. Darin kommt Euch nun keiner gleich; ich lern sie nie, wenn nicht von Euch. Drum singt Ihr nun, ich acht und merk und fördr auch wohl dabei mein Werk. BECKMESSER Merkt immer zu; und was nicht gewann, nehmt Eure Kreide und streicht mir‘s an. SACHS Nein, Herr! Da fleckten die Schuh mir nicht, mit dem Hammer auf den Leisten halt ich Gericht. BECKMESSER Verdammte Bosheit! - Gott, und ‘s wird spät am End mir die Jungfer vom Fenster geht! Er klimpert eifrig SACHS aufschlagend Fanget an! ‘s pressiert! Sonst sing ich für mich! BECKMESSER Haltet ein! Nur das nicht! - Teufel, wie ärgerlich! - Wollt Ihr Euch denn als Merker erdreisten, nun gut, so merkt mit dem Hammer auf den Leisten; nur mit dem Beding, nach den Regeln scharf, aber nichts, was nach den Regeln ich darf. SACHS Nach den Regeln, wie sie der Schuster kennt, dem die Arbeit unter den Händen brennt. BECKMESSER Auf Meisterehr ? SACHS Und Schustermut! BECKMESSER Nicht einen Fehler glatt und gut! Nachtwächterhorn sehr entfernt SACHS Dann gingt Ihr morgen unbeschuht. WALTHER leise zu Eva Welch toller Spuk! Mich dünkt s ein Traum. SACHS auf den Steinsitz vor der Ladentür deutend Setzt Euch denn hier! BECKMESSER zieht sich nach der Ecke des Hauses zurück Lasst hier mich stehen! WALTHER den Singstuhl, scheint s, verliess ich kaum! SACHS Warum so weit? BECKMESSER Euch nicht zu seh n, wie s Brauch der Schul vor dem Gemerk . EVA sanft an Walthers Brust gelehnt Die Schläf umwebt mir s wie ein Wahn ob s Heil, ob Unheil, was ich ahn ? SACHS Da hör ich Euch schlecht. BECKMESSER Der Stimme Stärk ich so gar lieblich dämpfen kann. Er stellt sich ganz um die Ecke, dem Fenster gegenüber, auf SACHS Wie fein! Nun gut denn! - Fanget an! Beckmesser stimmt die in der Wut unversehens heraufgeschraubte D-Saite wieder herunter. Sachs holt mit dem Hammer aus Wagner,Richard/Die Meistersinger von Nürnberg/ActⅡ-4
https://w.atwiki.jp/sampleisbest/pages/206.html
開発環境 Microsoft Visual C# 2010 Express (SP1) 実行環境 Microsoft Windows XP Home Edition (SP3) プロジェクトの種類 Windows Game (4.0) プロジェクト名 XnaTemplate [ソリューションのディレクトリを作成]にチェックを付けないと.slnファイルが指定した場所の直下に作られる。 ソリューション エクスプローラーの(Content)に新しい項目を追加する。 テンプレート：Sprite Font 名前：SpriteFont1.spritefont Game1.cs using System; using Microsoft.Xna.Framework; using Microsoft.Xna.Framework.Graphics; using Microsoft.Xna.Framework.Input; namespace XnaTemplate { class Game1 Game { GraphicsDeviceManager graphics; SpriteBatch sprite; SpriteFont font; DateTime prevTime; int draw = 0; int fps = 0; public Game1() { graphics = new GraphicsDeviceManager(this); graphics.PreferredBackBufferWidth = 1280; graphics.PreferredBackBufferHeight = 720; Content.RootDirectory = "Content"; IsMouseVisible = true; } protected override void Initialize() { sprite = new SpriteBatch(GraphicsDevice); prevTime = DateTime.Now; base.Initialize(); } protected override void LoadContent() { // ソリューション エクスプローラーの(Content)に追加しておく font = Content.Load SpriteFont ("SpriteFont1"); // 新しい項目：Sprite Font base.LoadContent(); } protected override void Update(GameTime gameTime) { KeyboardState state = Keyboard.GetState(); if (state[Keys.Escape] == KeyState.Down) Exit(); base.Update(gameTime); } protected override void Draw(GameTime gameTime) { GraphicsDevice.Clear(Color.CornflowerBlue); // フレームレート draw++; DateTime now = DateTime.Now; TimeSpan t = now - prevTime; if (t.TotalMilliseconds = 1000) { fps = draw; draw = 0; prevTime = now; } sprite.Begin(); string text = "fps=" + fps; sprite.DrawString(font, text, new Vector2(0, 0), Color.White); sprite.End(); base.Draw(gameTime); } } } Program.cs namespace XnaTemplate { static class Program { static void Main(string[] args) { using (Game1 game = new Game1()) { game.Run(); } } } }
https://w.atwiki.jp/abwiki/pages/134.html
'htmlhelp.sbp'05/05/10'06/09/10 最後まで書いた' Commands to pass to HtmlHelp()Const HH_DISPLAY_TOPIC = H0000Const HH_HELP_FINDER = H0000 ' WinHelp equivalentConst HH_DISPLAY_TOC = H0001 Const HH_DISPLAY_INDEX = H0002 Const HH_DISPLAY_SEARCH = H0003 Const HH_SET_WIN_TYPE = H0004Const HH_GET_WIN_TYPE = H0005Const HH_GET_WIN_HANDLE = H0006Const HH_ENUM_INFO_TYPE = H0007 ' Get Info type name, call repeatedly to enumerate, -1 at endConst HH_SET_INFO_TYPE = H0008 ' Add Info type to filter.Const HH_SYNC = H0009Const HH_RESERVED1 = H000AConst HH_RESERVED2 = H000BConst HH_RESERVED3 = H000CConst HH_KEYWORD_LOOKUP = H000DConst HH_DISPLAY_TEXT_POPUP = H000E ' display string resource id or text in a popup windowConst HH_HELP_CONTEXT = H000F ' display mapped numeric value in dwDataConst HH_TP_HELP_CONTEXTMENU = H0010 ' text popup help, same as WinHelp HELP_CONTEXTMENUConst HH_TP_HELP_WM_HELP = H0011 ' text popup help, same as WinHelp HELP_WM_HELPConst HH_CLOSE_ALL = H0012 ' close all windows opened directly or indirectly by the callerConst HH_ALINK_LOOKUP = H0013 ' ALink version of HH_KEYWORD_LOOKUPConst HH_GET_LAST_ERROR = H0014 ' not currently implemented ' See HHERROR.hConst HH_ENUM_CATEGORY = H0015Const HH_ENUM_CATEGORY_IT = H0016 ' Get category info type members, call repeatedly to enumerate, -1 at endConst HH_RESET_IT_FILTER = H0017 ' Clear the info type filter of all info types.Const HH_SET_INCLUSIVE_FILTER = H0018 ' set inclusive filtering method for untyped topics to be included in displayConst HH_SET_EXCLUSIVE_FILTER = H0019 ' set exclusive filtering method for untyped topics to be excluded from displayConst HH_INITIALIZE = H001C ' Initializes the help system.Const HH_UNINITIALIZE = H001D ' Uninitializes the help system.Const HH_PRETRANSLATEMESSAGE = H00fd ' Pumps messages. (NULL, NULL, MSG*). Const HH_SET_GLOBAL_PROPERTY = H00fc ' Set a global property. (NULL, NULL, HH_GPROP)Const HHWIN_PROP_TAB_AUTOHIDESHOW = (1 0) ' Automatically hide/show tri-pane windowConst HHWIN_PROP_ONTOP = (1 1) ' Top-most windowConst HHWIN_PROP_NOTITLEBAR = (1 2) ' no title barConst HHWIN_PROP_NODEF_STYLES = (1 3) ' no default window styles (only HH_WINTYPE.dwStyles)Const HHWIN_PROP_NODEF_EXSTYLES = (1 4) ' no default extended window styles (only HH_WINTYPE.dwExStyles)Const HHWIN_PROP_TRI_PANE = (1 5) ' use a tri-pane windowConst HHWIN_PROP_NOTB_TEXT = (1 6) ' no text on toolbar buttonsConst HHWIN_PROP_POST_QUIT = (1 7) ' post WM_QUIT message when window closesConst HHWIN_PROP_AUTO_SYNC = (1 8) ' automatically ssync contents and indexConst HHWIN_PROP_TRACKING = (1 9) ' send tracking notification messagesConst HHWIN_PROP_TAB_SEARCH = (1 10) ' include search tab in navigation paneConst HHWIN_PROP_TAB_HISTORY = (1 11) ' include history tab in navigation paneConst HHWIN_PROP_TAB_FAVORITES = (1 12) ' include favorites tab in navigation paneConst HHWIN_PROP_CHANGE_TITLE = (1 13) ' Put current HTML title in title barConst HHWIN_PROP_NAV_ONLY_WIN = (1 14) ' Only display the navigation windowConst HHWIN_PROP_NO_TOOLBAR = (1 15) ' Don't display a toolbarConst HHWIN_PROP_MENU = (1 16) ' MenuConst HHWIN_PROP_TAB_ADVSEARCH = (1 17) ' Advanced FTS UI.Const HHWIN_PROP_USER_POS = (1 18) ' After initial creation, user controls window size/positionConst HHWIN_PROP_TAB_CUSTOM1 = (1 19) ' Use custom tab #1Const HHWIN_PROP_TAB_CUSTOM2 = (1 20) ' Use custom tab #2Const HHWIN_PROP_TAB_CUSTOM3 = (1 21) ' Use custom tab #3Const HHWIN_PROP_TAB_CUSTOM4 = (1 22) ' Use custom tab #4Const HHWIN_PROP_TAB_CUSTOM5 = (1 23) ' Use custom tab #5Const HHWIN_PROP_TAB_CUSTOM6 = (1 24) ' Use custom tab #6Const HHWIN_PROP_TAB_CUSTOM7 = (1 25) ' Use custom tab #7Const HHWIN_PROP_TAB_CUSTOM8 = (1 26) ' Use custom tab #8Const HHWIN_PROP_TAB_CUSTOM9 = (1 27) ' Use custom tab #9Const HHWIN_TB_MARGIN = (1 28) ' the window type has a marginConst HHWIN_PARAM_PROPERTIES = (1 1) ' valid fsWinPropertiesConst HHWIN_PARAM_STYLES = (1 2) ' valid dwStylesConst HHWIN_PARAM_EXSTYLES = (1 3) ' valid dwExStylesConst HHWIN_PARAM_RECT = (1 4) ' valid rcWindowPosConst HHWIN_PARAM_NAV_WIDTH = (1 5) ' valid iNavWidthConst HHWIN_PARAM_SHOWSTATE = (1 6) ' valid nShowStateConst HHWIN_PARAM_INFOTYPES = (1 7) ' valid apInfoTypesConst HHWIN_PARAM_TB_FLAGS = (1 8) ' valid fsToolBarFlagsConst HHWIN_PARAM_EXPANSION = (1 9) ' valid fNotExpandedConst HHWIN_PARAM_TABPOS = (1 10) ' valid tabposConst HHWIN_PARAM_TABORDER = (1 11) ' valid taborderConst HHWIN_PARAM_HISTORY_COUNT = (1 12) ' valid cHistoryConst HHWIN_PARAM_CUR_TAB = (1 13) ' valid curNavTypeConst HHWIN_BUTTON_EXPAND = (1 1) ' Expand/contract buttonConst HHWIN_BUTTON_BACK = (1 2) ' Back buttonConst HHWIN_BUTTON_FORWARD = (1 3) ' Forward buttonConst HHWIN_BUTTON_STOP = (1 4) ' Stop buttonConst HHWIN_BUTTON_REFRESH = (1 5) ' Refresh buttonConst HHWIN_BUTTON_HOME = (1 6) ' Home buttonConst HHWIN_BUTTON_BROWSE_FWD = (1 7) ' not implementedConst HHWIN_BUTTON_BROWSE_BCK = (1 8) ' not implementedConst HHWIN_BUTTON_NOTES = (1 9) ' not implementedConst HHWIN_BUTTON_CONTENTS = (1 10) ' not implementedConst HHWIN_BUTTON_SYNC = (1 11) ' Sync buttonConst HHWIN_BUTTON_OPTIONS = (1 12) ' Options buttonConst HHWIN_BUTTON_PRLong = (1 13) ' Print buttonConst HHWIN_BUTTON_INDEX = (1 14) ' not implementedConst HHWIN_BUTTON_SEARCH = (1 15) ' not implementedConst HHWIN_BUTTON_HISTORY = (1 16) ' not implementedConst HHWIN_BUTTON_FAVORITES = (1 17) ' not implementedConst HHWIN_BUTTON_JUMP1 = (1 18)Const HHWIN_BUTTON_JUMP2 = (1 19)Const HHWIN_BUTTON_ZOOM = (1 20)Const HHWIN_BUTTON_TOC_NEXT = (1 21)Const HHWIN_BUTTON_TOC_PREV = (1 22)Function HHWIN_DEF_BUTTONS() As DWord HHWIN_DEF_BUTTONS = HHWIN_BUTTON_BACK or HHWIN_BUTTON_OPTIONS or HHWIN_BUTTON_PRINTEnd Function' Button IDsConst IDTB_EXPAND = 200Const IDTB_CONTRACT = 201Const IDTB_STOP = 202Const IDTB_REFRESH = 203Const IDTB_BACK = 204Const IDTB_HOME = 205Const IDTB_SYNC = 206Const IDTB_PRLong = 207Const IDTB_OPTIONS = 208Const IDTB_FORWARD = 209Const IDTB_NOTES = 210 ' not implementedConst IDTB_BROWSE_FWD = 211Const IDTB_BROWSE_BACK = 212Const IDTB_CONTENTS = 213 ' not implementedConst IDTB_INDEX = 214 ' not implementedConst IDTB_SEARCH = 215 ' not implementedConst IDTB_HISTORY = 216 ' not implementedConst IDTB_FAVORITES = 217 ' not implementedConst IDTB_JUMP1 = 218Const IDTB_JUMP2 = 219Const IDTB_CUSTOMIZE = 221Const IDTB_ZOOM = 222Const IDTB_TOC_NEXT = 223Const IDTB_TOC_PREV = 224' Notification codesConst HHN_FIRST = (0-860)Const HHN_LAST = (0-879)Const HHN_NAVCOMPLETE = (HHN_FIRST-0)Const HHN_TRACK = (HHN_FIRST-1)Const HHN_WINDOW_CREATE = (HHN_FIRST-2)'NMHDRType dummyNMHDR hwndFrom As HWND idFrom As DWordcode As DWordEnd TypeType HHN_NOTIFY hdr As dummyNMHDR pszUrl As *Byte ' Multi-byte, null-terminated stringEnd TypeType HH_POPUP cbStruct As Long ' sizeof this structure hinst As DWord ' instance handle for string resource idString As DWord ' string resource id, or text id if pszFile is specified in HtmlHelp call pszText As *Byte ' used if idString is zero pt As POINTAPI ' top center of popup window clrForeground As Dword ' use -1 for default clrBackground As Dword ' use -1 for default rcMargins As RECT ' amount of space between edges of window and text, -1 for each member to ignore pszFont As *Byte ' facename, point size, char set, BOLD ITALIC UNDERLINEEnd TypeType HH_AKLINK cbStruct As Long ' sizeof this structure fReserved As Long ' must be FALSE (really!) pszKeywords As *Byte ' semi-colon separated keywords pszUrl As *Byte ' URL to jump to if no keywords found (may be NULL) pszMsgText As *Byte ' Message text to display in MessageBox if pszUrl is NULL and no keyword match pszMsgTitle As *Byte ' Message text to display in MessageBox if pszUrl is NULL and no keyword match pszWindow As *Byte ' Window to display URL in fIndexOnFail As Long ' Displays index if keyword lookup fails.End TypeEnum HHWIN_NAVTYPE_TOC, HHWIN_NAVTYPE_INDEX, HHWIN_NAVTYPE_SEARCH, HHWIN_NAVTYPE_FAVORITES, HHWIN_NAVTYPE_HISTORY, ' not implemented HHWIN_NAVTYPE_AUTHOR, HHWIN_NAVTYPE_CUSTOM_FIRST = 11End EnumEnum IT_INCLUSIVE, IT_EXCLUSIVE, IT_HIDDEN,End EnumType HH_ENUM_ITcbStruct As Long ' size of this structureiType As Long ' the type of the information type ie. Inclusive, Exclusive, or HiddenpszCatName As *Byte ' Set to the name of the Category to enumerate the info types in a category As else NULLpszITName As *Byte ' volitile pointer to the name of the infotype. Allocated by call. Caller responsible for freeingpszITDescription As *Byte ' volitile pointer to the description of the infotype.End TypeType HH_ENUM_CATcbStruct As Long ' size of this structurepszCatName As *Byte ' volitile pointer to the category namepszCatDescription As *Byte ' volitile pointer to the category descriptionEnd TypeType HH_SET_INFOTYPEcbStruct As Long ' the size of this structurepszCatName As *Byte ' the name of the category, if any, the InfoType is a member of.pszInfoTypeName As *Byte ' the name of the info type to add to the filterEnd TypeTypedef HH_INFOTYPE = DWordTypedef PHH_INFOTYPE = *HH_INFOTYPEConst HHWIN_NAVTAB_TOP=0Const HHWIN_NAVTAB_LEFT=1Const HHWIN_NAVTAB_BOTTOM=2Const HH_MAX_TABS =19 ' maximum number of tabsConst HH_TAB_CONTENTS=0Const HH_TAB_INDEX=1Const HH_TAB_SEARCH=2Const HH_TAB_FAVORITES=3Const HH_TAB_HISTORY=4Const HH_TAB_AUTHOR=5Const HH_TAB_CUSTOM_FIRST = 11Const HH_TAB_CUSTOM_LAST = HH_MAX_TABSConst HH_MAX_TABS_CUSTOM = (HH_TAB_CUSTOM_LAST - HH_TAB_CUSTOM_FIRST + 1)' HH_DISPLAY_SEARCH Command Related Structures andConstantsConst HH_FTS_DEFAULT_PROXIMITY = (-1)Type HH_FTS_QUERYcbStruct As Long ' Sizeof structure in bytes.fUniCodeStrings As Long ' TRUE if all strings are unicode.pszSearchQuery As *Byte ' String containing the search query.iProximity As Long ' Word proximity.fStemmedSearch As Long ' TRUE for StemmedSearch only.fTitleOnly As Long ' TRUE for Title search only. fExecute As Long ' TRUE to initiate the search. pszWindow As *Byte ' Window to display inEnd Type' HH_WINTYPE StructureType HH_WINTYPE cbStruct As Long ' IN size of this structure including all Information Types fUniCodeStrings As Long ' IN/OUT TRUE if all strings are in UNICODE pszType As *Byte ' IN/OUT Name of a type of window fsValidMembers As DWord ' IN Bit flag of valid members (HHWIN_PARAM_) fsWinProperties As DWord ' IN/OUT Properties/attributes of the window (HHWIN_) pszCaption As *Byte ' IN/OUT Window title dwStyles As DWord ' IN/OUT Window styles dwExStyles As DWord ' IN/OUT Extended Window styles rcWindowPos As RECT ' IN Starting position, OUT current position nShowState As Long ' IN show state (e.g., SW_SHOW) hwndHelp As HWND ' OUT window handle hwndCaller As HWND ' OUT who called this window paInfoTypes As *HH_INFOTYPE ' IN Pointer to an array of Information Types ' The following members are only valid if HHWIN_PROP_TRI_PANE is set hwndToolBar As DWord ' OUT toolbar window in tri-pane window hwndNavigation As DWord ' OUT navigation window in tri-pane window hwndHTML As DWord ' OUT window displaying HTML in tri-pane window iNavWidth As DWord ' IN/OUT width of navigation window rcHTML As RECT ' OUT HTML window coordinates pszToc As *Byte ' IN Location of the table of contents file pszIndex As *Byte ' IN Location of the index file pszFile As *Byte ' IN Default location of the html file pszHome As *Byte ' IN/OUT html file to display when Home button is clicked fsToolBarFlags As Dword ' IN flags controling the appearance of the toolbar fNotExpanded As Long ' IN TRUE/FALSE to contract or expand, OUT current state curNavType As Long ' IN/OUT UI to display in the navigational pane tabpos As Long ' IN/OUT HHWIN_NAVTAB_TOP, HHWIN_NAVTAB_LEFT, or HHWIN_NAVTAB_BOTTOM idNotify As Long ' IN ID to use for WM_NOTIFY messages tabOrder[HH_MAX_TABS + 1] As Byte ' IN/OUT tab order Contents, Index, Search, History, Favorites, Reserved 1-5, Custom tabs cHistory As Long ' IN/OUT number of history items to keep (default is 30) pszJump1 As *Byte ' Text for HHWIN_BUTTON_JUMP1 pszJump2 As *Byte ' Text for HHWIN_BUTTON_JUMP2 pszUrlJump1 As *Byte ' URL for HHWIN_BUTTON_JUMP1 pszUrlJump2 As *Byte ' URL for HHWIN_BUTTON_JUMP2 rcMinSize As RECT ' Minimum size for window (ignored in version 1) cbInfoTypes As Long ' size of paInfoTypes As pszCustomTabs As *Byte ' multiple zero-terminated stringsEnd TypeConst HHACT_TAB_CONTENTS =0Const HHACT_TAB_INDEX =1Const HHACT_TAB_SEARCH=2Const HHACT_TAB_HISTORY=3Const HHACT_TAB_FAVORITES=4Const HHACT_EXPAND=5Const HHACT_CONTRACT=6Const HHACT_BACK=7Const HHACT_FORWARD=8Const HHACT_STOP=9Const HHACT_REFRESH=10Const HHACT_HOME=11Const HHACT_SYNC=12Const HHACT_OPTIONS=13Const HHACT_PRINT=14Const HHACT_HIGHLIGHT=15Const HHACT_CUSTOMIZE=16Const HHACT_JUMP1=17Const HHACT_JUMP2=18Const HHACT_ZOOM=19Const HHACT_TOC_NEXT=20Const HHACT_TOC_PREV=21Const HHACT_NOTES=22Const HHACT_LAST_ENUM=23Type HHNTRACK hdr As dummyNMHDR pszCurUrl As *Byte ' Multi-byte, null-terminated string idAction As Long ' HHACT_ value phhWinType As HH_WINTYPE ' Current window type structureEnd TypeDeclare Function HtmlHelp Lib "HHCtrl.ocx" Alias "HtmlHelpA" ( _hwndCaller As HWND, _pszFile As *Byte, _uCommand As Dword, _dwData As Dword) As Dword
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【Tags Ienourademanbougashinderu-P VY2 tL tT O】 Original Music title おでこに生えたビワの性格が悪い English music title The Loquat Growing Out of My Forehead Is Ill-natured Romaji music title Odeko ni Haeta Biwa no Seikaku ga Warui Music Lyrics written, Voice edited by タカハシヨウ (Takahashi You) / 家の裏でマンボウが死んでるP (Ienourademanbougashinderu-P) Music arranged by タカハシヨウ (Takahashi You) / 家の裏でマンボウが死んでるP (Ienourademanbougashinderu-P) Singer VY2 勇馬 (Yuuma) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： A loquat tree has grown out of my forehead, acting as though it has always been there. I m scared of trying to pluck it recklessly, and I m also too embarrassed to go see a doctor. When I, due to my new-found clumsiness caused by the heavy loquat, accidentally shaved off one of my eyebrows, the loquat, indifferent to my suffering and tears, began to lengthen explosively. Come on, please let this be a nice story where when I m sad it will wilt and when I m happy it will grow. Don t you dare flaunt your fruits whenever I m depressed. Are you trying to be inversely proportional to the amount of my hair? You bastard! A loquat tree has grown out of my forehead, acting as though it has been there since my grandfather s generation. It doesn t grow when I m sleeping, but as soon as I wake up and look at it, it ll be growing. Onto the loquat that s prospering in front of my eyes, I decided to spray some herbicide. A few minutes after I thought it was all over, I came to regret my action. The loquat tree has sprouted a new branch in a location such that the drops of fluid would drip right into my eye. I ll need a shower hat. When I turn in my sleep, it would drip onto the tatami and make it rot. Finally, I decided to wash it with water, which nurtured the loquat back to life. I ll have to try the opposite approach. If it grows when I m in a slump, then it should wilt when I laugh. Try my roars of laughter on for size. A second tree has grown out of my right armpit, and it grows when I laugh. Seriously?! On top of that, I can no longer put my right arm down because of the sharp branches. This is now a life-threatening exigency, so I called for an ambulance. But when the ambulance arrived, I had already completely removed the loquat. Aah-!!!!!!!!! Aah-!!!!!!!!! Romaji lyrics (transliterated by animeyay)： odeko kara biwa no ki ga haeta saisho kara imashita mitai na taido de haeta muyami ni nuku no mo osoroshiku isha ni iku no mo hazukashii biwa no omomi de temoto ga kurui katamayu o soriotoshite shimatta toki namidame ni naru ore o yoso ni bakuhatsuteki ni nobihajimeta kanashindara kareru kara waratte sakasetsuzukeru to ka sonna settei ni shite ii hanashi mitai ni shiro yo hekonde ru toki ni kagitte tawawa ni minotte n ja nee yo ore no ke no ryou to hanpirei suru ki ka yo kono yarou odeko kara biwa no ki ga haeta sofu no dai kara koko mitai na taido de haeta nete ru toki ni wa nobinai no ni okite mite ru toki ni nobiru me no mae ni te shigeriyuku biwa ni tsui ni josouzai o sanpu shita no da ga yudan shite ita suufungo koukai suru koto ni naru no da nagarete kita shizuku ga choudo me ni ochite kuru you na ichi ni eda ga nobite kite ru shanpuu hatto ga kakasenai nekorondara yuka ni tarete tatami ga kusatte yuku shikata naku arainagashitara sono mizu de mata sodatta gyakute ni toru ochikomu to sodatsu no nara waraeba kareru hazu kurae ore no daibakushou migiwaki kara nihonme haeta warau to fueru to ka aho ka shikamo eda ga sasaru kara migiwaki ga shimerarenai sasuga ni mou inochi no kiki da hyakujuukyuu ban ni kooru kyuukyuusha touchaku made no aida ni kirei ni nuketa aa--!!!!!!!!! aa--!!!!!!!!! [Ienourademanbougashinderu-P, IenourademanbougashinderuP, Ie no Ura de Manbou ga Shinderu-P, Takahashi You]
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Instrumentos de La Gestion Ambiental En La Empresa Mundiprensa? Vicente Conesa Fernandez Vitora? Mundiprensa? VicenteConesaFernandezVitora? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-54? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Perspectivas del Medio Ambiente Mundial 2000 Mundiprensa? Pnuma? Mundiprensa? Pnuma? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-67? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-Environment? El Mundo de Los Puros Ultramar Editores S a? 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Dead Tech A Guide to the Archeology of Tomorrow Hennessey & Ingalls? Manfred Hamm? Rolf Steinberg? Robert Jungk? Hennessey&Ingalls? ManfredHamm? RolfSteinberg? RobertJungk? ジャンル別? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Industrial and Technological Development Inter-American Development Bank? Simon Teitel? Inter-AmericanDevelopmentBank? SimonTeitel? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Economics-Development&Growth? 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Subjects-Science-Technology-General&Reference Key Issues in Creativity, Innovation and Entrepreneurship Bearly Ltd? Bruce G. Whiting? BearlyLtd? BruceG.Whiting? ジャンル別? Subjects-Business&Investing-General? Subjects-Science-Technology-General&Reference The World of 2044 Technological Development and the Future of Society Paragon House? Marcelo Alonso? Charles Sheffield? Morton A. Kaplan? ParagonHouse? MarceloAlonso? CharlesSheffield? MortonA.Kaplan? ジャンル別? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Nonfiction-Politics-General? Subjects-Science-Technology-Futurology? Subjects-Science-Technology-General&Reference The World of 2044 Technological Development and the Future of Society Paragon House? Marcelo Alonso? Charles Sheffield? Morton A. Kaplan? ParagonHouse? MarceloAlonso? CharlesSheffield? MortonA.Kaplan? ジャンル別? Subjects-Nonfiction-Education-General? Subjects-Science-General Subjects-Science-Technology-Futurology? 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Sumio Sakka? Lisa C. Klein? Edward J. A. Pope? Calif.) International Symposium on Sol-Gel Science and Technology (1st 1994 Los Angeles? AmerCeramicSociety? SumioSakka? LisaC.Klein? EdwardJ.A.Pope? Calif.)InternationalSymposiumonSol-GelScienceandTechnology(1st 1994 LosAngeles? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-Chemistry-ChemicalEngineering? 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Market Scenario The data experts at Market Research Future Reports (MRFR) have analysed the global B2B Telecommunication Market Research is estimated to record a CAGR of 14% during the assessment period from 2017 to 2023. The adoption of IoT across various verticals is estimated to drive the global B2B Telecommunication Market Research 2020. Novel coronavirus has B2B Telecommunication Market Research to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The B2B Telecommunication Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. IoT is gaining momentum for being cost-efficient. Besides, being cost-efficient, it also provides other advantages such as machine to machine (M2M) communication and wireless transactions to the users. In addition, the service of data storage and the reachability of the telecom network in distant zones is additionally propelling the market expansion. With the adoption of B2B telecommunication, the enterprises avoid their travel expenses by performing face-to-face meetings through teleconference. Furthermore, fast industrialization and urbanization are enhancing the demand further. In addition, increased volumes of system data, volumes of text, video, and voice are estimated to advance the B2B telecommunication market. Furthermore, the increment of customized products and services portfolio is estimated to be potential factors posing opportunities of expansion during the review period. COVID-19 Analysis The business impact of SARS-CoV-2 has been felt across diverse sections of the information technology industry, albeit at different levels. Companies in the technology sector that supply services for verticals like travel, retail, hospitality, and entertainment have noted a dramatic decrease in sales, while the firms that provide services related to remote worker solutions have observed the opposite. B2B Telecommunication Market ’s fate post pandemic has been relatively less grim compared to Education Services (ES) and Professional Services (PS) that are mostly dependent on components that are generally on-site. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/5953 Competitive Outlook The established organization of the worldwide B2B telecommunication market are Deutsche Telekom AG (Germany), Amdocs Ltd (U.S.), Comarch S.A. (Poland), NTT Communications (Japan), AT T Inc. (U.S.), Orange S.A. (France), Vodafone Group PLC (The U.K), Cisco Systems, Inc. (U.S.), Verizon Communications Inc. (U.S.), Telstra Corporation Limited (Australia), and a few others. Segmentation On the grounds of deployment, the worldwide B2B telecommunication market can be divided into fixed and mobile. On the grounds of the solution, the worldwide B2B telecommunication market can be segregated into WAN solution, unified communication, and collaboration, M2M communication, VoIP (Voice over Internet Protocol), and cloud services. On the grounds of application, the worldwide B2B telecommunication market can be divided into industrial, and commercial. On the grounds of organization size, the worldwide B2B telecommunication market can be divided into small medium enterprises and large enterprises. On the basis of geography, the worldwide B2B telecommunication market can be segregated into North America, Europe, Asia Pacific, and Rest of the World (RoW). Regional Analysis As per the report, the global market is estimated to expand significantly during the review period. The experts have revealed that the global market is likely to be dominated by North America. North America is anticipated to procure the maximum market share during the assessment period. The region is blooming due to the fast adoption of cloud and VoIP services. On the other side, the Asia-Pacific region is projected to grow at the swiftest pace during the review period. The presence of developing countries like India, China, and South Korea is projected to play a crucial role during the review period. The emerging countries are investing massively in the media and entertain sector, which is predicted to bloom the market exponentially during the assessment period. However, the market dynamics are estimated to change significantly, owing to the spread of coronavirus. The data experts at MRFR are analysing the market and the impact of coronavirus on the global B2B telecommunication market. The impact of COVID-19 is projected to bring a substantial impact on the global economy. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/b2b-telecommunication-market-5953 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. List of Tables Table 1 Global B2B Telecommunication Market By Region, 2020-2027 Table 2 North America B2B Telecommunication Market By Country, 2020-2027 Table 3 Europe B2B Telecommunication Market By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global B2B Telecommunication Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Five Forces Analysis of Global B2B Telecommunication Market Continued… Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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